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The artist’s painting in a sentimental manner touches on the motive of sympathy for human tragedy. For this canvas, Klodt received a large gold medal. The atmosphere of genuine caring, sadness and affection for a fading girl dominates the canvas without theatricality, although with a touch of sensitivity. The figurative language of the picture includes a lot of traditional elements characteristic of the 40-50s. However, new qualities are clearly slipping, tangible in the gravity of the painter to recreate the sunny splendor surrounding the room.
The people captured in the picture are perceived as dolls or phantoms, and only the image of the patient, lit by the sun, looks real. This is materially emphasized by greenery and warm weather outside the window. The doomed girl half-sits in an armchair, leaning on a pillow under her head, which sets off the pallor of her face and the whiteness of home clothes in contrast with black hair. The artist was able to perfectly convey the patient’s weakness, her hopelessness, expressing this with the help of her arms limply extended along the body. Her look is sad, but peaceful - she realizes that for the last time she sees the onset of spring.
Next to the dying girl sits, not taking her eyes off her, sister, whose face is lit by rays. She is probably trying to distract the patient from gloomy thoughts. The second sister is standing near the window, all illuminated by a dazzling light that helps hide tears. The color of the canvas is quite dark, a lot of purple and olive colors, but only two bright spots are in the spotlight: a window and a chair with a girl.
Two elderly people are whispering from the right edge of the canvas behind the partition, probably a mother in an old-fashioned cap, depicted with her back to the viewer, and a doctor who has anxiety on his face, and his hand shot up in a gesture, as if saying that it can help nothing more. All details are drawn on the canvas, from the elements of the characters ’clothing to the decor of the room: a portrait on the wall, a basket with needlework on the table, a black and purple rug thrown to the floor, a tray with metal utensils on a chair near the window. The author of the picture in one of his best works expresses compassion and participation in human misfortune.