Weavers - this is the work of Gustav Courbet, written in 1854. She was exhibited in the Paris Salon of 1855, and then in 1861 at the so-called Ninth Exhibition of the Nantes Art Society, which then buys work for the city's fine art museum.
The two young women depicted in the picture are undoubtedly the two sisters of Courbet: Zoë (depicted with a sieve) and Juliet (sitting). Presumably, the boy on the canvas could be Desiree Vinet, the illegitimate son of the painter. Weavers are an example of the simple realism that Courbet used in his work. Unlike paintings in a romantic style, Courbet does not use the perfection of line and form. Instead, we see unclean walls, a dull look on the girl's face, and the curly hair of a curious boy.
Courbet saw this picture as part of a series of images “un tableau de moeurs de campagne”, or paintings of rural customs, which also includes
A canvas called Young Country Girls.
For both paintings, the artist’s sisters acted as models, which is an obvious fact uniting the paintings, in addition to similar topics. Courbet watched the common people of his native region, be it family, friends or workers walking along the road, and made them the basis of his realistic project. The bright atmosphere of the paintings attracted people and allowed Parisian art lovers to plunge into the atmosphere of rural life unclear to many. In both paintings, we see two different aspects of the life of women in a small French village.
Autumn Day In Sokolniki